When Nimisha Mukerji asked me to shoot her new film, In The Deep, I immediately said yes. After working together on her TIFF Talent Lab film, The Arrival Hour, I knew that Mish had a strong vision in terms of storytelling and camera placement, and her style of filmmaking is something that I really responded to.
The way we approached this new film was to play with shadows at the beginning of the film, reflecting ...
